Simultaneous Flight Movement

by Laura Cannell

supported by

banoffi Music of raw beauty which sounds like it's coming from another world. Favorite track: The Sudwulf.

Rowan King feels like im in a medieval tavern attached to the back of a giant soaring bird Favorite track: Horselore.

Gavin Hellyer Such atmospherics, such beautifully eerie and evocative work. Another extraordinary album from this unique and supremely talented instrumentalist. No. 11 in my Top 100 Albums Of 2016. Favorite track: Horselore.

nxgater A single voice that sounds solitary but huge, spiritual yet totally modern. Reminds me of Albert Ayler. This is a fantastic record and, I think, Laura Cannell's best yet. Favorite track: You Have Departed.

richard harms I've had a fortuitous sneak preview of this gem & can safely say it's priceless. It sings, it soars & swoops the soul away like few things I can think of...bravo Laura. This is pure joy.

John Cratchley I find Laura's music very moving...it's as though it unlocks some primal memory or reflex; an emotional trigger that I didn't even know existed...strong and powerful.

more...

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Compact Disc (CD) + Digital Album
Beautiful minimalist CD packaging featuring Laura's own artwork & layout.
High quality card digifile. Black and white gloss in a biodegradable re-sealable plastic sleeve.
CD with black print on silver.

Includes unlimited streaming of Simultaneous Flight Movement via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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Streaming + Download

Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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Full Digital Discography

9

releases

Get all 9 Brawl Records releases available on Bandcamp and save 20%.

Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of THE SKY UNTUNED, Carmina Chromatico, RECKONINGS, HUNTER HUNTRESS HAWKER, Simultaneous Flight Movement, BLACK EARTH REMIXES, Quick Sparrows Over the Black Earth, Feathered Swing of the Raven, and 1 more. , and , .

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1.	Winter Saltings 03:37		buy track
2.	Simultaneous Flight Movement 02:03	info	buy track
3.	Horselore 04:28		buy track
4.	A New Theory of Eclipse 04:07		buy track
5.	The Happiness of Both Worldes Part 1 02:30		buy track
6.	The Happiness of Both Worldes Part 2 02:34		buy track
7.	Sheltering Hollows 05:15		buy track
8.	You Have Departed 03:27		buy track
9.	The Sudwulf 03:29		buy track
10.	The Interrelation of Diverse Emotions 02:07		buy track
11.	Three Stones 04:11		buy track
12.	Fragments from Summer Saltings 04:20		buy track
13.	Call to Alms 03:42		buy track
14.	Buried Woodland 03:53		buy track

about

Brawl Records is proud to present Simultaneous Flight Movement, Laura Cannell’s third solo release which follows her critically acclaimed Beneath Swooping Talons (F&F2015) and Quick Sparrows Over the Black Earth (BRAWL2014).

Simultaneous Flight Movement features fourteen tracks and was recorded live, in one take inside Southwold Lighthouse in Suffolk, UK.

A collection of semi-composed semi-improvised pieces from the edge of England which seek to dissolve borders, move away from formal structure and to re-imagine a sonic landscape unrestricted by time or origin. With a background in medieval, baroque, traditional and experimental music, Laura explores the spaces between ancient and experimental through improvisation to create new music that is rooted in but not tethered to the past.

Fragments of fragments move the air inside the hollow tower, sending and receiving messages like an upside-down wishing well. With the seldom used rich and evocative polyphonic overbow technique and double recorders styled on early stone carvings, Laura creates a minimalist chamber music, where one player makes all the harmonies, encouraging harmonics and difference tones to emerge. She draws inspiration from the emotional influence of the landscape including wild animal calls or fragments of liturgical music in order to build music that avoids historicism and instead inhabits an imagined territory, combining contemporary and archaic elements.

Medieval cantigas intertwine with the music of long disintegrated renaissance courts, and real-time compositions produce parallel chord movements which seem to originate from the same, ahistorical place. Inside the lighthouse the white conical walls shaped the music which unfurled skywards and away over The North Sea.

“The hollow tower contemplates The North Sea. Welcoming, Warning, Blazing to the East”

credits

released October 21, 2016

Laura Cannell - Fiddle / Overbow Fiddle, Recorder / Double Recorders
Mastered by Mark Beazley

license

about

Brawl Records UK

Brawl Records is a UK based independent record label founded in 2005. It was created initially to release the music of experimental folk and early band Horses Brawl.

The Brawl label’s ethos is to release music which draws on experimental, folk, improvisation, medieval, renaissance and contemporary music. ... more

Recommendations

discography

THE SKY UNTUNED

Apr 2019
Carmina Chromatico

Sep 2018
RECKONINGS

Jul 2018
HUNTER HUNTRESS HAWKER

Oct 2017
Simultaneous Flight Movement

Oct 2016
Quick Sparrows Over the Black Earth

Jul 2014
BLACK EARTH REMIXES

Jul 2014
Feathered Swing of the Raven

Sep 2012
Ruminantia

Apr 2012

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Brawl Records recommends:

Beneath Swooping Talons
by Laura Cannell

Laura Cannell Beneath Swooping Talons - Released 2015 on Front & Follow. My 2nd SOLO album available over at Front & Follow. Brawl Records
go to album

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LIke tman1015, I am a little scared of this album. It is a deeply shocking and accurate musical portrayal of senile dementia -inasmuch as I've (sadly) observed members of friends and family become gradually subsumed by it. Yet it is captivating, there are many moments of beauty along the way. I cannot stop going back for another listen. I wonder if anyone (apart from the artist) has managed to listen all the way through in one sitting. I am not even close to managing yet. Simon Woolf
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Laura's work is so inspirational, it's no wonder other musicians want to modulate and manipulate it...these remixes do add something to the originals (if only a different perspective from which to re-engage with the source material)... but her concepts are robust enough to allow for this level of reinterpretation...I'll always go back to Laura's stunning original though! John Cratchley
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